First off, let me just say that Colleen Cruz had me hooked from the first line of her introduction which was "I am a pessimist." She follows that line with a series of pictures that I will leave for you to discover. Her challenge to readers is to figure out the meaning of these pictures while reading the book. Love. That. Then, the rest of the introduction validates how hard teaching can be, but encourages us to see challenges as opportunities. Love that, too.
Except for the first and final two chapters, each chapter revolves around a common statement that teachers are likely to say about teaching writing, and, with the exception of only one, I have heard all of them. Here's a sampler of some of the chapter titles. Don't these sound familiar?
- "I don't know what to teach the student. He's a much better writer that I am."
- "I can't seem to get my students to stay writing unless I'm sitting beside them."
- "I don't feel prepared to work with a student with such big challenges."
- "I teach grammar, but my kids don't learn it."
Every--and I mean every-- chapter is full of practical advice and tools to use in the classroom. For example, there is a curated list of possible mentor texts to use with sophisticated writers for several genres, where the columns are "If your whole class mentor is usually:" and "You might try this." Just like that, I have another whole set of mentor texts at my disposal to share with the teachers I work with.
The third chapter is one of my favorites, and focuses on how to work with struggling writers. In this chapter, Colleen talks about scaffold, and I have never read a better explanation on what a scaffold should and should not be. Some of my favorite lines in this chapter are:
- "Just as an infant balks at having to lift his own spoon to his mouth, many of our students would prefer to have a teacher sit beside them and support them every time they write." (26)
- "When we are constantly hovering over a student, or in a worst-case scenario actually do the writing work for him, we are not able to see what a student can actually achieve independently." (27)
- "Now I know that is I am going to use scaffolding, I need to make sure it matches the individual student's needs and still allows her to work at her maximum capacity." (28)
- "Additionally, when putting a scaffold in place, we need to concurrently have a plan for how and when to remove it." (28)
So many of these lines spoke to me, as a trained special education teacher, as well as a writing coach and coordinator. When I work with teacher in upcoming years, I will definitely have some of these pages copied and highlighted for teachers to process and reflect on.
Another chapter that I will have ready to share at all times is Chapter 5, "I'm finding some student writing repetitive and boring." I love how Colleen reminds us that we need to find moments of importance within our lives; these moments don't have to resonate around the world, but they have to resonate with ourselves. When we model and teach students to be on the hunt for the moments that matter to in our lives, we teach more than writing; we teach them the value of their lives. Colleen ends Chapter 5 with a bulleted list of how to maintain the conditions for risk-taking within writing workshop. If (when) you get this book, put a stickie note on pp 54-55, copy them, and return to them often. Each bullet is worth a lot of reflection and thought.
Throughout The Unstoppable Writing Teacher, there are charts, tools, and resources to copy and use. Right. Now. For examples:
- A list of sentence stems sorted by writing genre (41)
- A list of ways to time-transport yourself to the age of your students (51)
- A student writing survey to help get to know your writers (62)
- A chart for Student Observation Note-taking (64)
- A letter to send to families explaining the practices and theories of writing workshop. (Brilliant!) (111)
- A chart of common questions and possible responses from doubting care-takers (112)
- A student interest questionnaire (121)
Every one of these tools is going into my toolkit as resources to share with teachers. Any one of these could make the book worth its cover price of $21.
But wait, there are still final thoughts in an inspiring, validating, and emotional conclusion. You not only figure out the meanings of the pictures from the first page, but you also feel great about the work that you do.
Thank you, Colleen. You have created a gift to all teachers of writing.